Before the set, the park, before the shot sequence the media, before the instrumental bridges and the choruses simple but forceful production bases on which to throw the subject.

In Nieto666 we find each and every one of the keys of self-production that have accompanied many of the urban artists who are now consecrated, a less pronounced use of autotune, vocal sweetness and the subjectivist theme in their lyrics, far from discourses of power take us back to a stage that we thought was forgotten in the scene.
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